The theme for this week’s 52-week Illustration Challenge is cross-hatching. I really struggled with this because, while this is supposed to be an illustration challenge, I’m participating by writing a poem on each week’s topic – a picture in words, if you will. But cross-hatching is a specific illustrative technique, and hence not so easy to write a poem about. I did have some ideas along the line of overlaying the words so they were cross-hatched, but struggled with how to do this.
Anyway, after lots of false starts I came up with a pretty rough little rhyme about cross-hatching. Here it is:
Cross-Hatching
I’m cross about cross-hatching
Cos I don’t know what to do.
I’m scritching and I’m scratching
My head and I’m feeling blue.
I’m cross about cross hatching
Cos it’s really hard to write.
My poem isn’t matching
In the way I’d hoped it might.
There. A poem about cross-hatching. But then, a little miracle happened.
I attended a session at the Perth Writer’s Festival on Sunday where awesome young illustrator Gabriel Evans (who just happens to be the illustrator for my forthcoming verse novel, Roses are Blue) was presenting . Anyway, Gabriel drew a snail on the whiteboard and commented that snails could have lots of different patterns on their shells – stripes, spots, squiggles. and so on. Suddenly, a little voice in my head said ‘cross-hatching!’
So, back at home, I had a go at drawing a snail, trying to remember how Gabriel did it. When that failed, I found an online tutorial for how to draw a snail: here. It took a few goes, but I drew a recognisable snail. Then for the cross-hatching. I had thought I would just cross hatch part of the shell – which is kind of the point of cross-hatching – to create shadow and contrast. But I found that it didn’t really work that way, plus cross-hatching is fun – so I did the whole shell. And, for the shadow effect, decided more cross-hatching was needed.
So, from someone who doesn’t draw, here is my attempt at cross-hatching:

Not planning on giving up my day-job any time soon, but am a bit proud of myself for trying something new.

hough, I’d like to thank the delightful 

wrote Do Not Forget Australia I got the idea from a photo I saw of the school at Villers Bretonneux. I did some research then let the idea brew for several months. When I finally wrote the first draft it came out in one sitting. However, I rewrote it and reworked it a heap of times before I submitted. The story has dual narratives – one boy in France and one in Australia. At one point I decided this was too complex, and took them out. When I submitted it to Walker Books they felt it was missing something and suggested I needed a parallel narrative – lol. So back in went Billy, my Aussie boy. Then there were other tweaks and edits and rewrites until the story was ready. About four years from idea to publication, but well worth the wait and I really believe that taking the time to get it right is important, even though along the way I get impatient and want it out in the world NOW.

Secondly I’m tagging the beautiful Emily Lim. I was lucky enough to meet Emily last year, and hear her speak. She is amazing. She’s also the award-winning author of several children’s picture books. She is the 1st outside North America to win 3 medals in children’s books at the IPPY awards, the world’s largest book awards and 1st in Southeast Asia to win the Moonbeam Children’s Book Award. She also won the Honourable Mention Award at Writer’s Digest 20th Self Publishing Awards and was on the shortlist for two other awards. Emily’s books
have been published in Singapore, Malaysia, China and Korea and also turned into animation, theatre and are also used in the schools. Emily was named Singapore Woman Award Honoree 2013 for inspiring readers through her children’s books and her memoir Finding My Voice, based on her journey of losing her voice to a disorder and finding it again through writing. You can read more about Emily’s books at
Lastly, I’m tagging Alison Reynolds.
