In the News: Writing Kids’ Books is a Messy Business
Seven Answers to Seven Questions: Christine Harris
I’ve written about 50 books over the last 20 years, so it’s probably easier to follow the following links
Book cover pics: http://www.christineharris.com/Books.aspx
Short biog and list of writing associated activities: http://www.christineharris.com/AboutMe/Info.aspx
FAQs: http://www.christineharris.com/AboutMe/FAQ.aspx
Awards: http://www.christineharris.com/AboutMe/Awards.aspx
2. How long have you been writing for children?
My first book ‘Outer Face’ was published 1992, but of course the writing of it took place for several years before this.
3. How much time do you spend each week writing and/or revising? And how much time on other writing-related tasks such as promotion, researching markets and so on?
I am a full time professional writer – so usual work hours, plus a few sleepless nights and early mornings. And I sometimes wonder if writers are ever truly ‘off duty’. Whatever we see starts thought processes that lead to stories or scenes in books. Most writers, including myself, carry notebooks and jot ideas down on anything that doesn’t move – including serviettes and backs of envelopes.
I try to keep promotions to evenings or weekends, but sometimes I blitz – spend a week or two. When I was revamping my website, I spent a month or more, straight, working on it. A writer must spend some time on promotions if they are serious about being professional. But the balance between promo and writing new material is easily upset. So I think setting limits is important. Each of us works best according to our own personality.
4. How much time do you spend reading children’s books? And what are you reading right now?
Depends. If I am deep into writing a novel or having trouble with a section of it, I won’t read anything that changes my style.
I also blitz read (I sound like a real ‘blitzer’, don’t I?). I go to the library and borrow a bag full and read them all, take notes, if I am after something in particular. I find now, after years of reading young adult and kidlit, that I am often impatient with slow, wordy novels for adults.
Currently, I am reading Stephenie Meyer’s ‘Eclipse’ in the Twilight series. Mostly because kids keep asking me if I have read it or know about it and it helps me to be able to converse with them. While I don’t try to be or act like a child, I work in the world of children, so it does help to be in touch with what they are interested in. But, at the same time I am reading a book for adults by Tony Horwitz about following in the footsteps of Captain Cook, and a book on How to Write Mystery Books. I read all sorts of material. There are books in every room of the house. And I mean EVERY.
5. What advice would you give other would-be children’s writers, or share with other professional children’s writers?
Write.
And this is not as silly as it sounds. We spend so much time planning, thinking and talking about writing that we don’t actually start.
I believe we learn by doing.
6. What is your favourite online resource for children’s writers? Why?
All. Any. Lots.
Seriously. I pick up hints on what to do and what not to do in many places. Read all you can and keep a notebook or computer file of the best tips. I don’t usually seek out children’s writing sites, but I do read a lot of online info about writing. No matter who is the target reader, the skills are pretty much the same.
Jurgen Wolff’s Time to Write blog has pithy, helpful entries http://www.timetowrite.blogs.com/
7. Do you have a website or blog? What else do you do to promote your published works and/or your writing skills?
I have three blogs. The most relevent here is Writers Bitz
http://www.writers-bitz.blogspot.com/
I try to add articles here of things that might interest, entertain or inform writers, and I add material that reflects what I am currently being asked about.
What else do I do to promote my work?
My goodness, that would require a whole essay. And what I am doing this week will be different to what I choose to do next week. What doesn’t work gets dropped and new ideas are added.
My best advice here would be to constantly add to a personal data base of ideas for promotions. We can only make this sort of thing effective when we are doing things that we are comfortable with. Some writers are shy, others are exhibitionist – so always look out for ideas, choose those that you are comfortable with, then write down your plan and slot in time to actually do it. A promotions plan, to me, is fluid, constantly changing, like the sea.
But generally, the areas I think about are”
online/technological; website, blogs, articles, email signatures …
paper handouts, including a professional looking business card, list of published books etc
personal appearances
competitions and giveaways (usually for young writers)…
When I was a kid I used to write lists then add … to infinity …
So, that’s the best way to continue this list
…to infinity…
Article Reprint: Nine Ways to Reach Your Goals in ‘09
Nine Ways to Reach Your Goals in ‘09
Whoah there! You’ve set aims for a whole year and you won’t know how you’ve gone till December? While December might be your end date, don’t leave it till then to check your progress. In fact, if you have several goals for the year, it’s a good idea to set different end dates for them. Here are nine things you can do to keep those goals in sight and to reach the end of 2009 with the list complete.
1. Set realistic goals. If you are an unpublished writer, for example, setting the goal of selling ten novels to major publishers might be unrealistic, especially if none of those novels are written yet. Instead, perhaps aiming to have one novel written and revised might be an achievable goal, depending on your genre, your current writing skills, and your other commitments.
2. For tangible goals, set realistic end dates. For example, if you plan to have the first draft of your picture book written, your midgrade novel revised and your polished novel submitted to five publishers, you can set end dates. Perhaps the picture book might be finished by March, the revisions by September and the novel by October. Of course, you might want to work on two or more projects at once, in which case your end dates might overlap.
3. Try to quantify less tangible goals, so that you can assess your progress. For example, aiming to promote your published books more is an admirable (and worthwhile) aim, but it’s difficult to measure. You could, however, have ideas about how you are you going to promote, and these ideas might be measurable. If your promotion includes a blog and writing articles for newsletters, your aim might be: Publish 50 blog posts and submit 4 articles to Pass It On.
4. Be willing to revise your goals. A year is a long and both writing and nonwriting events in your life might have an impact. If you have planned, for example, to have your novel finished by March but you break your arm in February, you could decide that November is a better date to aim for. Alternatively, as you progress with your novel, you might find a new project deadline comes up which takes precedence, or find that in spite of your consistent efforts the novel doesn’t progress. Rather than viewing this as a failure, take a look at your aims. Is there another project you can work on instead?
5. Share your writing goals. Not, perhaps with the whole world, but with your writing friends. Encourage them to share their gaols with you – then you can both share your successes and also encourage each other to strive towards those goals.
6. Don’t stop at annual goals – make mini goals for yourself – each day, week, or month. What do you want to achieve today? How will that help you meet your target for the month and, ultimately, the year? If, for example, you want to write a 50 thousand word novel by June, break that down into smaller monthly targets, and then daily targets. It is much easier to keep track of your progress. Keep a notepad or whiteboard in your work area where you write down the things you want to achieve this week – then cross them off as you achieve them. The process of crossing an item off a list is very fulfilling, and a great way to see what you’ve achieved.
7. Write Your Goals down – and put them where you can see them. Whilst putting them into a file on your computer is a useful way of not losing them, it is easy to forget those aims. Having your goals staring you in the face when you sit in your workspace each day is a great way to stay focussed.
8. Plan and take steps to achieve your goals. There is no point aiming to get a hundred thousand word novel written unless you actually plan when and how you’ll do the writing. Set up a work space. Set aside time to write. Work with your partner or children to set up the conditions where you can write. Then, if you want the novel written by December, don’t leave it to November to get started.
9. Lastly, reward yourself. What are you going to do for yourself when you have achieved your goals? It doesn’t have to be a promise to buy yourself a Lamborghini when you sell your next manuscript (not a realistic goal, anyway, given the sizes of most advances). But what about rewarding yourself with some quality ‘me’ time? A walk on the beach after reaching your day’s quotas? Time away from writing to read a trashy novel after you’ve finished your literary masterpiece? Knowing there’s a treat at the end can help lift your work rate.
So, what are you waiting for? Get out that list and start working on it. Before you know it, it will be 2010 and time to start on the next list! Good luck and, again, happy new year.
Guest Article: The Blank Page, by Margay Justice
Today’s guest article is not aimed soley at chidlren’s writers, but isa simple, and different, look at writer’s block. Enjoy!
I am a blank page. I am only eight and a half inches wide, eleven inches long. To most people, I am unprepossessing, boring, blank. But to you, I am the most intimidating opponent you will ever face. Why, you might ask. Because you are a writer and a blank page is the most fearsome enemy you will ever face in your journey along the creative road.
But I can be conquered. You just have to want to try. You just have to face the fear. Take the writer who is filling up this page at this very moment. The writer had no idea what to write when she first sat down at the keyboard. Did she let that stop her? No. She took the very idea of the blank page syndrome and turned it into something to talk about. You can, too. The key to doing so is quite simple, really.
Just write.
It doesn’t matter what you write, at first. Just sit down, place your fingers over the keys and write. So what if Shakespeare’s masterpiece doesn’t flow from your fingers on the first pass, or even the second? Do you think he only wrote one draft and was done? Not likely. Neither should you. So sit down and write. It doesn’t matter what you write as long as words flow onto the page; you can always go back and edit later. That’s the beauty of it all. Once the words are there, you can go back and play with them. Rearrange them on the page. Make them dance across the white space that was once blank. You see, editing is not your enemy, either – but that’s another story.
So remember, all of you writers out there, established or emerging, it’s you against the blank page.
Don’t let the blank page win. Write.
Margay Leah Justice is the author of Nora’s Soul, available now on Amazon.com. You can read more about her at http://margayleahjustice.com where she fights a daily about against the blank page
Margay Leah Justice, author of Nora’s Soul, now available on Amazon.com http://margayleahjustice.com
Article Source: http://EzineArticles.com/?expert=Margay_Justice
Hot Writing Link: InsideaDog Blog
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