Wherever I went over the past month, Sage came too. She loves getting out and about. Today, we went through our photos and made a little slide show of our adventures. Enjoy.
It’s only 11 months till next Bookweek. Can’t wait 🙂
by Sally
Wherever I went over the past month, Sage came too. She loves getting out and about. Today, we went through our photos and made a little slide show of our adventures. Enjoy.
It’s only 11 months till next Bookweek. Can’t wait 🙂
by Sally
Yesterday I shared ten tips for successful author visits aimed at teachers and librarians (you can see that post here). Today, I want to share another ten, but this time aimed at presenters. Visiting schools and libraries can be lots of fun, and also form an important part of your income stream. I’ve done lots and lots of these visits, and the following tips are some of the things I’ve learnt along the way.
1. Advertise your availability. If you want to do school and library visits, you need to let schools and libraries know you are available. List on your website (you do have a website, don’t you?). You can also create a flyer and distribute it by mail, or at conferences you attend. Â Word of mouth is also a wonderful tool.
2. Be upfront. It is easier to discuss payment and conditions at the time of the booking, than it is on the day you turn up, or after the event. State your rates, how many sessions you will do in a day, audience size, age groups you can cater for and so on. Talking about money can be uncomfortable, but it is necessary, which leads me to number 3:
3. Charge for your visit. Â With few exceptions, you should ask for ASA Rates for your time. An author/illustrator visit is an educational experience for children and helps teachers and librarians to motivate kids to read/write/draw. The rates may sound high when you’re starting out, but trust me you will earn them – it is a lot of hard work(fun, but also exhausting).
4. Be aware of the difference between promoting your book and promoting literacy. If your visit is in school time, it should be more than just a sales pitch. You are being paid for your time, so make sure you are giving value for students and for teachers. What are children going to learn from you – it might be something specific to your book, or about books and reading more generally.
5. Prepare your presentations. Work out what you have to say and how you are going to say it. Â A ‘meet the author’ session, for example, might include a reading of your book (or part of it), a talk about the research or creative process, and time for questions. If you’re an illustrator, you might show how you drew the main character. A writing workshop might teach a specific writing skill. Think about your own skills, the book, and the target age groups.
6. Have props or visuals. Kids like having things to look at. Some presenters use Powerpoint presentations, which can be wonderful when used well. A good one will be high on pictures and low on text. other props could be puppets, costumes, historical artifacts, you name it.
7. Know what you are going to say. This is kind of like 4 above, but this time I’m talking about knowing your presentation. Don’t read from a script or written speech, and certainly don’t read a Powerpoint. If you are nervous, practice. A lot. In front of a mirror, in front of friends, in front of your cat. Â Use your rehearsals to work out timing, remembering timing can be affected on the day by your nerves, by interruptions and by questions.
8. Be flexible. Be prepared for curve balls. What will you do if the Powerpoint doesn’t work? What will you do if you leave your book at home? What will you do if Johnny in the front row farts or – worse still – throws up?  I was once booked to run a writing workshop for 20 kids. On the day 80 kids came into the room – and not one of them had anything to write with. Be prepared for misbehaviour. It won’t happen every time, but remember you are dealing with schoolchildren and, as such, kids will misbehave. They might call out, or talk when you are talking, or throw things at you. How are you going to respond?  It is good to remember that the teachers should be there in the room and you can ask them for help in this area, but it is great if you can avoid interrupting the class to do this. I try not to expect perfect behaviour, and only stop my presentation if the behaviour is affecting other children’s ability to see or hear me.
9. Use prizes/rewards. Small giveaways such as bookmarks are very popular. Of course, if you are a softy like me, you might find it hard to give away only one or two, particularly for younger children. I tend to have a few things on hand in case someone comes up with a particularly brilliant question or answer,  or if I need a volunteer top help out with something.
10. Follow up after the visit. Ask the person who booked you for a few words of written feedback via email. Take the time to thank them for having you. Also take the time for yourself to think about what did and didn’t work well – and why.
Have I missed anything? If you have any tips for school visits, I’d love to hear them. Leave a comment.
by Sally
Bookweek is coming up and I’m starting to prepare to visit schools and libraries around the state. This made me think about visits I’ve done in the past (I’ve done hundreds) and what did and didn’t go well. So, I thought I might write a couple of posts offering some quick tips for teachers/ and librarians (today) and authors and illustrators (tomorrow) to make visits run smoothly.
So, here goes: ten ways to prepare for and run a successful author visit:
1. Book your author/illustrator well in advance. Bookweek, in particular, is a very busy time of the year, and organised schools/libraries will have booked at the start of the year, or even before. I already have a booking for Bookweek 2017, yet had a request for a 2016 visit just last week (needless to say I had to say no).
2. Research your presenter. Know what they write and who it is aimed at. Don’t book a YA Author for your kindergarten audience. Also see if you can find feedback on their previous visits. You want to know that your presenter is competent.
3. Be prepared to pay. Most Australian authors/illustrators will charge ASA Rates, which you can find here. They are not cheap, but the cost covers both the presentation time and the preparation time, as well as the years of experience your presenter has.
4. Discuss the visit with the presenter. Is there a specific topic you’d like covered? I’ve had over 40 books published, so can tailor my presentations to all kinds of age groups and topics, but this will be more successful if I know in advance. Also find out if the presenter has any requirements – audiovisual equipment, an easel or whiteboard, chocolate (this is always a good thing).
5. Arrange your audience well in advance. If you are a local library, advertise to local schools well ahead of time. It takes a lot of planning at the school end to organise an excursion. If you are a school librarian, again, make sure that class teachers know about the incursion well in advance of it happening.
6. Promote promote promote. Once you’ve worked out who your audience will be, promote the visit to them. Make a display about the author, including their books. Talk up the visit – show the children you are excited, and encourage them to be excited too.Â
7. Check if you have the author’s books in your library. I have visited lots of schools where my books aren’t in the library, or where the one I have come to talk about is the only one not in the collection. When kids hear about a book, they want to borrow it.
8. Encourage (insist if you can) class teachers to be present for the author visit. Lots of school visits are scheduled so that the students see the visiting author during library time, while the class teacher is on other duties. Â The risk is that there is no follow up discussion or benefit from the visit. The best visits I have are those where the teachers have talked with the students beforehand about the purpose of the visit, and often result in kids going back to class to write or read or otherwise build on what they’ve heard from me.
9. Set up a suitable space for the visit before the author arrives. If you only have the author for an hour, avoid using a large chunk of that time to get chairs in place, or a projector set up. It’s always great to have a glass of water for the author and tea/coffee/lunch available if they are there for the day.
10. After the visit, chat with your fellow staff, the author and the students about how it went. Get feedback so you know what did/didn’t work. And, start planning  for next Bookweek.
If you are a teacher or librarian and think I’ve missed anything important here, I’d love to hear it. Leave a comment. Tomorrow, I’ll have ten tips for authors.
by Sally
Last week I was lucky enough to be the author in residence at Mandurah Catholic College, which was celebrating its annual Bookweek. The staff and students made this a really happy visit – from the library display of my books, to the wonderful efforts at portraiture, and, of course, to the engaged, enthusiastic students from kindergarten through to year 9. Â Here’s a little video featuring the displays and some of the wonderful author portraits. Enjoy!
Thanks for having me, MCC.
by Sally
As you may know from previous posts, I love getting out and about and talking about books and writing and reading and poetry to audiences of all ages.
So, I really enjoyed my two most recent festival visits – even though I’ve been so busy festivalling and catching up in between that I haven’t blogged about either of them. So, here goes.
Festival 1 was just down the road from where I live. Seven Rooms Seven Stories was a debut festival hosted at Mary MacKillop Catholic College in Busselton, and organised by the amazing Beth from Dymocks Busselton.
Beth and her team did an awesome job of organising the festival: everything ran so smoothly, it was hard to believe it was the first year this event was held. And I’m sure it won’t be the last. All the authors and illustrators invited were West Australian, which was a nice touch, and the audiences were keen, well prepared and very engaged.
Festival 2 was a little further away, in Albany, in the Great Southern Region – about 4 and a half hours drive away. I really enjoyed the drive down and back – it’s a beautiful road trip. The festival, the Southern Sea of Words, was hosted by Great Southern Grammar and organised by the lovely  librarian, Karen.
The festival, over two days was lots of fun. Day 1 was spent with groups in the school and day 2 was open to the public, and I spoke to adults and children. I even did my debut session as a performance poet, which I loved and will blog on in an upcoming post.
Now I’m back home and back at my desk . It’s always good to get  back to work, but I do love getting out and about!
by Sally
This week I spent two wonderful days in the library at Penhros College in Perth, talking with lots and lots of wonderful young people about books and writing.
I haven’t yet received any photos that I can use from my presentations, but I did manage to snap this one of the display the library staff had put together:
One lunchtime, I sat in the library during the lunch hour, chatting with girls who came to speak to me, and working in between. It occured to me that the library was very different from libraries of the past, and found myself drafting a poem about what I saw – and what I didn’t see.
The Library at Lunchtime
No hushes
Or shushes
Or whispered warnings
No glares
Or stares
Or muttered reprimands
Only games
And smiles
And laughter
And kids sharing books
Sprawled on bright mats
Or, on their own,
Lost in blissful
Turning of pages.
(Poem copyright Sally Murphy, 2016)
Today’s Poetry Friday roundup is hosted by Teacher Dance.